“Clear Seeing Place”, for artist and viewer alike, is instantly likable, approachable, conversational. Brian shares his memorable experiences, his vision. processes, and acquired knowledge of the central aspect of painting, freely and openly. “Clear Seeing Place” is the verbal equivalent of a Brian Rutenberg painting.
His phrases are brushstrokes. Each one is loaded with the richness of information the way his brush is loaded with rich, precise color.
In the first paragraphs of the introduction, Brian states, “Humidity made me a painter.” The shape and content of his phrase comes from a depth of soul as does the brushstrokes loaded with shape, color and content. You are unmistakably invited into his world. “Clear Seeing Place” is unabashedly forthright.
Whether he is talking about Cadmium Red, Keats, Bach, art school, or how one should think about painting, his statements are carefully thought out with the reader’s ear in mind. One gets the immediate sense of how he is as an artist is never far from who he is as a person. Where he comes from holds the most intense, personal colors. Whether or not you are an artist, you should read this book to meet an artist who has paint on his hands and in his heart. All artists need an audience. Brian understands this and cares about your well-being and the art you see, Here’s Brian at the end of a discussion of Keats and Samuel Menashe.
“A painter should always have the viewer’s back, giving him or her the impression that hidden eyes have seen the painting from every possible angle. so that it’s warmed up and worn in before the viewer ever arrives.”
It is often said a thin book is a valuable read. “Clear Seeing Place” is that book. As you make your way into his story-telling, his stories never lose energy. Brian nudges you to “come over here. I’ve got something to show you.” You do. and he does, again and again.